Here Ester stays cool by fluffing out her feathers. They also hold their wings aloft, for that sweet, sweet underarm breeze.
When adding to a flock, you really do see the darker side of chickens. As Ester's status is the low girl, it made sense that she would move in and assert herself more aggresively than Beulah. In this shot, the thugs are advancing on poor Butters, who had me in tears at some points, in her comedic uber-hysteria.
Ester was so completely put out, her voice even changed. Suddenly, she was a 60 year old with a lifetime two pack a day habit. I started calling her Thelma Ritter. Last night as she was advancing on Butters, I aimed the hose in her direction and she ran off protesting all the way, like an outraged child. I found her in the front, muttering. Really. Muttering. I made a big show over how bee-u-ti-ful her feathers were, and she was placated.
While we were over on the evil Eastside, we went to the feed store and got new straw and stuff, and on Sunday I mucked out the coop. It smells really good now. That won't last.
So, another lovely weekend. I am loving this summer.
Last night I retired to watch DVDs (Supernatural, the series: shut up) earlier than usual and at one point the ice cream truck drove past my house, v-e-r-y s-l-o-w-l-y, and then chh! chh!ed off into the distance. It was vaguely menacing and reminded me of one of my favorite Raymond Carver stories, The Bath, where something as benign as a little boy's birthday cake becomes somewhat sinister. Carver later revised The Bath to A Small Good Thing, and gave it a warm, happy ending which I never liked.
It's supposed to be 90 today - boo! - so there will be water featured in my evening. Tomorrow I'm driving over to the dreaded Eastside to try and find some guy who is selling chickens. It's time to expand the flock (or rather, try again).
We finally got some rain (and hailstones and thunder!).
I finished the painting of one woman's dead cat (and about to embark on another one, but this time it won't be free).
Now this guy is really nice. He sends me some MP3s, only one could I bear to listen to, and this pic. I'm fuzzy on the details, but I don't remember any Rocket Morton bullshit, I just remember we called it TCCSB. In my own personal fever dream, I left shortly after the Eugene debaucle, but perhaps not. Perhaps I went on to be a giant woman with four tiny guys with bad hair. I think the drummer is the shirtless guy looking all cocky. Confidential to drummer guy: I don't think you have a lot to be cocky about unless perhaps it's your cock, but thank God, I wouldn't know. Or at least wouldn't remember...
It was a nice 4 day mini-holiday, even though it was in the high 80's the whole time, which I'm much too much of a weenie for. Even the 4th wasn't especially egregious. I think a lot of entities cut back on their blasting allowance somewhat, as things exploded for a while and then they just stopped. I ended up falling asleep in the hammock. 
On Sunday, the barametric pressure dropped like crazy and on Monday I woke up with a foot I couldn't walk on. Oh, old age, is there no end to your ignobility? So, yesterday I hobbled around work, working all these weird muscles you don't normally work, to walk, at least. Flailing about like an upright lobster. By the end of the day I was just a cripsy critter. Today I can walk without evoking Chester on Gunsmoke, and my left ass is sore. 
Whenever I have these chunks of time away from the salt mine, I always want to come back to work having really accomplished something. And by Saturday, it was too hot to garden, or even relax outside, so I began a painting, but didn't get very far. An acquaintence from work who got laid off a while back wrote that her cat had died and she could sure use a picture of him. That's actually what I'm working on now: not her dead cat, but a friend from Flickr: really not even someone I know, but she's always been incredibly nice and was one of the first people to chose me as a contact. Her icon is of this cat doing what I call the power to the people fist pump and I finally remarked on what a great pic it was and she wrote back, in broken English, that he'd died a few weeks back, poisoned by a neighbor. So, that's the painting I'm doing. It's small, and I'm just going to send it to her. Why? Because I can, and every so often it's nice not to be a selfish asshole. As to the ex-colleague, I've not decided.
I got a rooster offered up to me, and if it weren't for the tenuous situation with Joe the Plumber down the block, I'd consider it. Apparently, it's not illegal to have a rooster in Seattle: it's just a consideration. I would LOVE to have a rooster - fully flesh out the whole chicken experience. But I gave it a pass.

Because they embody earnestness. When they run to you, well, to me, because I am the Food God, they barrel. They get excited about stuff. They're enthusiastic and curious.
They are incredibly attuned to their environment: they hear everything and are constantly on the look out, being the Prey Animals of all Prey Animals, the Underdogs of all Underdogs, and they know it. Given how attuned they are, I think they are probably predisposed to madness, given the food factory business.
They are primitive and of the ages: my chicken is Picasso's chicken, is Ghengis Khans' chicken, is Moses' chicken, is William Carlos Williams' chicken (the latter: I think he got it).
Because they're dinosaurs.
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